Vinnie Jones Premier League World

ENG/ESP 50mnts

Vinnie.Jones.PL.World.50mnts.ESPENG.twb22.mp4

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Vinnie Jones meant going to a curry house in Watford after a few pints down at his local with Dennis Wise and Dave Bassett. Today, you’re just as likely to find him being photogra^ed kissing Madonna at the première of a Hollywood blockbuster. After a career in football more notable for achievement in the disciplinary field than for aesthetic contribution, it has been frustrating for the sceptics to see the former Wimbledon scrapper picking up accolades for his performances on the silver screen. At the first screening of Lock, Stock and Two Smoking Barrels, the critics fixed their bayonets, sat back and waited for the expected assault on their artistic sensibili- ties. But as the crédits rolled and the lights came up at the end, most of them were forced to concédé that Jones had barely put a foot wrong in his big-screen début. 

There was a ring of authenticity to his performance as scary tough guy Big Chris; some even said that he was the star of the show. The most mémorable moment of Jones's performance came when Big Chris killed another character by slamming his head in a car door. The key, apparently, was that Jones didn’t actually act. He just played himself. When he went for his casting session, Jones understandably thought that the challenge of acting was trying to be someone that he wasn't. And it wasn’t going very well until the casting director told him to relax and just be himself. Bingo. A star was born. You hâve to wonder if the casting director would hâve given Jones the same advice if he had been auditioning for Eric Cantona’s part as the French ambassador in the highly acclaimed film Elizabeth. Seeing the former Manchester United idol smoothing around the screen in feathered cap, body-hugging tights and a fitted tunic was weird enough. But imagine Vinnie Jones in the same part and it’s enough to make you reach for the smelling salts. 

When Vincent Peter Jones hung up his football boots and decided to embark on a career in acting, it came as little surprise to football fans to learn that he had been cast in the rôle of a gangster in his first film. One day, the theatre world might travel to Stratford-upon-Avon to watch Vinnie play Hamlet, or to the West End to see him perform Algernon in Oscar Wilde’s The Importance of Being Earnest, but at the start of his new career he is taking the rôles that corne naturally to him. He plays hard men. Very convincingly. Does he make himself understood? There were a few chuckles in pubs and football changing rooms up and down the country when the most feared and vilified British player of his génération decided that sitting in make-up and swap- ping anecdotes with his new thespian colleagues was the logical step forward.